Studio Production: Scripting for As Live and VT Productions
A script for an As Live and VT Production, the scripts are very different to that of a film. Below is a guide of how to create a script for an As Live Production.
Layout of an As Live Script
There should be two columns:
- Left= Shot numbers, camera numbers and shot description.
- Right= script, stage instructions, Sound Effects and Graphics.
There are cut lines placed at the end of the word or action at which the cut is to take place. This allows the vision mixer to the cut the show together with ease.
Adding shots to the script means you need to create a sub shot. For example, Shot 10 would become Shot 10a.
The Camera Operators need to know that you have made a change to the script so that they can add this onto their camera card and be completely aware of what they are doing.
These camera card are provided so that they are fully aware of what it is they need to do for their shots and when to do so. They are also known as Crib Cards.
The shot description and set area should be created once the director had finished with the script.
VT Scripts
The title of the VT should match that of the VT Clock and Script.
IQ means in words and 'In Cue'.
OQ means out words and 'Out Cue'.
Usually the first and last words of the VT script are written on the script so that we know when a VT starts and finishes.
Each VY should have bars and tone and a clock with the appropriate indents on for the beginning of the VT.
Script Content
It is important to know how much of your show will be scripted content. If there is lots, you need to consider using an auto cue or promoters, however the talent can learn their lines before hand.
You must include intros and outros in your script, in particular for VTs. These need to be able to knit sections together.
The presenter can deliver links in their own personal tone of voice as long as its in keeping with the rest of the show.
Prompts should be kept simple and contain important information needed for the show, however you can leave sections for ad lib.
The show should be rehearsed multiple times to ensure confidence and secure the correct timings before going to live broadcast.
A good script means that it must be accurate to the timings.
If your show loses its timing structure from the running order, decided by the producer before the show starts, then the Production Assistant (who keeps track of the shows running time) and the Producer have to liase and figure out what can be cut and how long they need to complete the show.
Ad libbing has the advantage of making the show feel 'natural' and not forced, but be careful as ad libbing can also be unprofessional if not used correctly.
You must have an appropriate tone of voice for your script as well as a logical order.
The director and vision mixer work on the script once it has been finalised.
Lastly, always have the date, time and version number on the front cover of your script to ensure everyone always has the correct copy.
This is a taster of 'The Big Movie Quiz' Script:
Layout of an As Live Script
There should be two columns:
- Left= Shot numbers, camera numbers and shot description.
- Right= script, stage instructions, Sound Effects and Graphics.
There are cut lines placed at the end of the word or action at which the cut is to take place. This allows the vision mixer to the cut the show together with ease.
Adding shots to the script means you need to create a sub shot. For example, Shot 10 would become Shot 10a.
The Camera Operators need to know that you have made a change to the script so that they can add this onto their camera card and be completely aware of what they are doing.
These camera card are provided so that they are fully aware of what it is they need to do for their shots and when to do so. They are also known as Crib Cards.
The shot description and set area should be created once the director had finished with the script.
VT Scripts
The title of the VT should match that of the VT Clock and Script.
IQ means in words and 'In Cue'.
OQ means out words and 'Out Cue'.
Usually the first and last words of the VT script are written on the script so that we know when a VT starts and finishes.
Each VY should have bars and tone and a clock with the appropriate indents on for the beginning of the VT.
Script Content
It is important to know how much of your show will be scripted content. If there is lots, you need to consider using an auto cue or promoters, however the talent can learn their lines before hand.
You must include intros and outros in your script, in particular for VTs. These need to be able to knit sections together.
The presenter can deliver links in their own personal tone of voice as long as its in keeping with the rest of the show.
Prompts should be kept simple and contain important information needed for the show, however you can leave sections for ad lib.
The show should be rehearsed multiple times to ensure confidence and secure the correct timings before going to live broadcast.
A good script means that it must be accurate to the timings.
If your show loses its timing structure from the running order, decided by the producer before the show starts, then the Production Assistant (who keeps track of the shows running time) and the Producer have to liase and figure out what can be cut and how long they need to complete the show.
Ad libbing has the advantage of making the show feel 'natural' and not forced, but be careful as ad libbing can also be unprofessional if not used correctly.
You must have an appropriate tone of voice for your script as well as a logical order.
The director and vision mixer work on the script once it has been finalised.
Lastly, always have the date, time and version number on the front cover of your script to ensure everyone always has the correct copy.
This is a taster of 'The Big Movie Quiz' Script:
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